One can say that Wes Anderson is a master creator without implying that he is superior to other filmmakers. He is masterful in showing us that he is creating something, actively, onscreen–and moreover that we are creating it with him, in our reactions to it. He does this without seeming pretentious, overall. This video by Rishi Kaneria whips us through a cavalcade of Anderson’s films, showing off Anderson’s fascination with the colors red and yellow throughout the director’s work. Trying to assign a significance to the deep red of the carpet in the halls of the Grand Budapest Hotel, or the yellow of the Tenenbaum siblings’ tent, or the red of the curtain behind the awkward but confident Max Fischer is absurd. The deepest signficance is in the color itself–that Anderson has chosen it, and that he has left his mark on viewers’ retinas; the fact that it has personal significance for him should be all the "meaning" we need. Frustrated by this explanation? Don’t be. Watch this ever-so-brief but highly dense supercut, and enjoy.
WATCH: A Video Essay on Wes Anderson’s Use of Red and Yellow