Watch: For Christopher Nolan, The Image Comes First, Then the Film

Watch: For Christopher Nolan, The Image Comes First, Then the Film

To say that Christopher Nolan’s films emphasize the importance of the image is not a tautology. Some filmmakers might take us on a thrill ride, filled with jumpcuts, closeups, and other visual grace notes that cause us to focus on action or plot events more than the images moving across the screen. Nolan, though, wants viewers to linger. Think of these things: Robin Williams running across logs in the water in ‘Insomnia.’ Heath Ledger’s Joker standing at a corner, head down, mask in hand, facing us as Ledger faces away in ‘The Dark Knight.’ The collapsing landscapes and cityscapes in ‘Inception’–any of them. The beauty of these moments is that they move you through the film but they also hold you in place. This excellent new Art of the Film video essay casts a new light on an extremelywell-covered director, but one from whom attention may not diverge for a long, long time.

Watch: Christopher Nolan’s Films Immerse You in the Moment

Watch: Christopher Nolan’s Films Immerse You in the Moment

Though "realism" might be, in one sense, the last word you might use in association with Christopher Nolan, maker of ‘Inception‘ and the ‘Dark Knight’ films, in another sense, it fits him perfectly. If we take the term "cinematic realism" to mean immersing viewers completely within a depiction of a time or place through camera techniques, special effects, and other cinematographers’ tricks, then Nolan and his DP Wally Pfister have been making highly realistic films for years, from ‘Following‘ to "Memento’ to ‘Insomnia’ to, yes, ‘Inception’ and the Dark Knight films. Trevor Ball explores Nolan and Pfister’s work carefully and intelligently in this dynamic video essay.